Pacific Coast

rattlesnake
The cliffs at Davenport, north of Santa Cruz, have inspired an on-going series begun in 1999.

The rock stands just offshore pointing toward the sunrise. A series of coves, caves and hidden natural bridges entertain the tide – a tiny cove beach holds a slender terrace of sand between jutting fingers of rock. The organic body of the land itself, plunging and disappearing into the reaches of water. Each day’s coloring and weather are unique. The cliffs reflect every change. Grasses ring the tops of the bluffs, softening the geological roughness of the place. The rock is the future of the cliffs, whose slow crumble can be heard from the top, shards of weathered mineral dropping with the sound of broken glass on pavement. Tides, seasons, weather, time of day – all transform the view into a shimmer of differences. Vigorous and fragile, the land stands fast even as it imperceptibly gives way to robust forces. Surfacing just off-shore, the rocky pyramid brings its own curious and jagged history to each day. Acting as a faceted reflective surface, it measures and refracts the depth of the light, the pinks, golds, slate greys, murky indigos, always changing and eluding a single moment, a single description.


Winter Sunset, 2007, 18 x 24″, oil on canvas


Ocean with Flowering Hillside, 2007, 24 x 36 “, oil on panel

Davenport Cliffs with Martin Fire in the Air , 2008, 12 x 9 “, egg tempera and mica on panel, private collection
Landscape with Unwelcome Object, 2008,
12 x 9 “, egg tempera on panel, private collection

Morning, 15 x 34, 2001
September, 15 x 33, 2001
October, 10 x 32, 2001
Red Beach , 15 x 26, 2001
November, 15 x 33, 2001
Rattlesnake Hill , 17 x 28, 2001
Black Rock, 15 x 26, 2001
Sphinx, 32 x 17, 2002
Blue Rock, 2008

Large Pacific Landscape , 78 x 108 inches, 2009